2025

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2025-2026 Jerome Early Career Printmakers
Sep
1
to Aug 31

2025-2026 Jerome Early Career Printmakers

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Please join us in welcoming the 2025-2026 Jerome Early Career Printmakers Dalton Carlson, Edson Rosas, and Gabi Estrada!

Three artists are selected annually to participate in the Jerome Early Career Printmakers Residency at Highpoint. Thanks to the generous support of the Jerome Foundation, this program has existed since 2003 and has served more than 60 early career printmakers.

Beginning in September, the artists will have 12 months of access to the co-op studio to generate artowrk for their culminating exhibition, which will open in July 2026. In addition to studio access and their eventual exhibition, Dalton, Edson, and Gabi received a stipend for materials and will enjoy periodic studio visits with invited guests, along with learning and professional development opportunities.

The Jerome Residency program is open to early career Minnesota printmakers who already possess training in one or more traditional printmaking techniques. Early Career is defined here as an artist with a record of creating and exhibiting original work who has not received consistent development and production opportunities and significant recognition, awards, and acclaim regardless of age or recognition in other fields.

About the artists:

Edson Rosas (he/they) is a queer Mexican-American artist and educator based in Minneapolis, Minnesota. He is a printmaker, installation artist, soft sculpture maker, and casual writer. His autobiographical work is focused on exploring his Mexican roots through memory and how they play a role in his everyday life emotionally, physically, and politically. The work is often honest and open, making the personal become universal. 
Edson received his MFA in 2021 from Pacific Northwest College of Art and his BFA in 2019 from Minnesota State University, Mankato.

Dalton Carlson (he/him) is an interdisciplinary artist and educator working in Minneapolis, Minnesota. Carlson received his Master of Fine Arts in Studio Art from the State University of New York at Buffalo in 2024 and his Bachelor of Fine Arts in Studio Art from Colorado Mesa University in 2020. His work analyzes his role and how he interacts within larger societal systems. His work flows between 2D and 3D practices, often finding refuge in painting and printmaking. Carlson has recently shown in group shows in Buffalo, NY with shows at El Museo Gallery and CEPA Gallery and in Colorado at Mesa County Libraries and 437CO. He has presented solo exhibitions at the Triangle Gallery in Colorado, Western New York Book Arts Center in New York, and Fried Fruit Art Space in North Carolina. 

Gabi Estrada (they/them) is a Mexican-American printmaker and arts educator based in Minneapolis. Their practice is rooted in identity and storytelling, honoring their ancestors and elders. They believe in the power that art has to facilitate healing and community building, which they prioritize in their art and pedagogy.

Stay tuned for updates on the artists progress as they move through the Residency!

Special thanks to our esteemed panelists Emily Marsolek and Isa Gagarin for their careful review of the outstanding applicants.

About the review panelists:

Isa Gagarin is an artist based in Minneapolis, Minnesota. Her work draws from experiences of relating to her birthplace of Guåhan (Guam) through visual art, storytelling and Chamoru language revitalisation. Educated in painting and drawing, Gagarin’s practice has expanded to include writing and performance. Her work has been exhibited nationally and internationally, including Midway Contemporary Art (Minneapolis, MN), the Contemporary Arts Center (Cincinnati, OH), the Kemper Museum of Contemporary Art (Kansas City, MO) and Grimm Gallery (Amsterdam). Her solo exhibition I Hagan Sirena (The Daughter of Sirena) is currently on view at Pilele Projects (Los Angeles). In 2026, her work will be included in the group exhibition Imagining an Archipelago, curated by Jessamine Batario, which will take place at the Colby Museum of Art (Waterville, ME). Gagarin was born in Guam and was raised throughout the US including Hawai’i. Gagarin received an MFA in Painting and Printmaking from Virginia Commonwealth University (2018), and earned her BFA in Painting from the Minneapolis College of Art and Design (2008).

Emily Marsolek is the Assistant Director at Bockley Gallery in Minneapolis. She holds a BFA in Studio Arts and Psychology from Concordia College in Moorhead MN, and first encountered Highpoint Center for Printmaking as a studio intern and printer’s assistant in 2017-2018.


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Temporary and Lasting: Works by Yoonmi Nam
Oct
3
to Nov 26

Temporary and Lasting: Works by Yoonmi Nam

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ON VIEW: October 3 - November 26, 2025

OPENING RECEPTION: Friday, October 3, from 6:30-9 PM

Highpoint Center for Printmaking is pleased to present Temporary and Lasting: Works by Yoonmi Nam, a selection of the artist’s prints, ceramics, and installation works. The exhibition is free and open to the public.

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Hot Off the Press
Aug
8
to Sep 27

Hot Off the Press

  • 912 West Lake Street Minneapolis, MN, 55408 (map)
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Hot Off the Press
Highpoint’s semiannual co-op exhibition

Exhibition on view: August 8 - September 27

Opening Reception: August 8; 6:30 - 9pm

SPECIAL OPENING WEEKEND SALE - 20% discount on all co-op member work!

Friday and Saturday, August 8 and 9

Hot Off the Press 2025 is Highpoint’s largest ever co-op member exhibition with 43 artists participating! This means even more of the EVERYTHING that a co-op show already includes. Visitors can expect to see a vast array of techniques and imagery. Stylized landscapes, faithfully-rendered figurations, Gestural abstraction and so much more will be included in this exhibition.

PARTICIPATING ARTISTS

Ken Rivera

Carley Schmidt

John Schulz

Kurt Seaberg

Lila Shull

Grace Sippy

Cathy Spengler

Katie St. John

Clara Ueland

Brian Wagner

Megan Wetzel

Laura Youngbird

Nicole Simpkins

Jobee Gust

Belle Hulne

Jo Johannsen

Nancy Johnson

Laura Kinkead

Julie Kirihara

Erin Leon

Bridget Lips

Jeremy Lundquist

Brett Lysne

Melissa McElin

Carl Nanoff

Doug Nathan

Matt Otero

John Pearson

Judith Baumann

Ainslee Beery

Kristin Bickal

Josh Bindewald

Lynnette Black

Nancy Bolan

James Boyd Brent

Tienna Brusett

Margaret Buchen

Pamela Carberry

Horacio DeVoto

Beth Dorsey

Jasper Duberry

Mads Golitz

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Apr
15
6:00 PM18:00

Meet the Printer: Judith Baumann

  • 912 West Lake Street Minneapolis, MN, 55408 (map)
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TUESDAY, APRIL 15

6:00 - 7:30 PM

FREE

Highpoint Editions is pleased to welcome our newest staff member, Judith Baumann, as Lead Printer-in-Residence. Join Highpoint staff for a meet-and-greet with Judith. Judith will share her professional experience and work created throughout her career as a printmaker and Master Printer. 

About Judith Judith Baumann is a professional collaborative printer, artist, and educator. During her time as Master Printer and Studio Director for Crow's Shadow Institute for the Arts (2017–2024), Baumann collaborated with dozens of renowned artists invited to participate in the Crow’s Shadow Artist-in-Residence Program. Baumann holds an MFA from Virginia Commonwealth University and participated in Tamarind Institute's prestigious Professional Printer Training Program. She taught printmaking and drawing at several institutions, most notably Evergreen State College (2005—2014) and Northern Arizona University (2015—2017). Baumann’s work has been shown nationally in group, juried and solo exhibitions and is held in public special collections across the country. She creates unique printmedia editions of her own work and fine art print collaborations under the imprint Renegade Cascade Editions. She specializes in lithography, letterpress and digital integration in print. Baumann is a frequent educator and lecturer.

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2025 Full Color Printmaking Fellowship
Oct
1
to Sep 30

2025 Full Color Printmaking Fellowship

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Horacio Devoto (left) and Laura Youngbird (right)

The 2025 Full Color Printmaking Fellows are Laura Youngbird and Horacio Devoto. The year-long fellowship provides that artists with 12 months of studio access in Highpoint’s cooperative printshop, tuition-free enrollment in Highpoint classes, a stipend, along with exhibition, mentorship, and professional development opportunities.

Horacio and Laura were chosen in September 2024 by our guest panelists Russell Hamilton and Fawzia Khan. For Horacio, the year was rich with professional development. He received guidance from seasoned voices—Regan Golden-McNerney, Nicole Soukop, and David Barry—on refining presentation methods. He also attended private tours of some of the region’s most intellectually generative spaces: the Wangensteen Library at the University of Minnesota, the Print and Drawing Study Room at Mia, the Ways of Knowing exhibition at the Walker Art Center, and Giants at Mia. These experiences deepened Horacio’s contextual understanding, sharpened the conceptual edge of his practice, and enabled him to connect with artists from other Highpoint programs.

Laura channeled her energy into learning new techniques. Juggling teaching commitments and a long commute from outside of the Twin Cities meant she couldn’t always attend optional outings, but her mentorship was focused and hands-on. With support from Brian Wagner, Assistant Printer at Highpoint Editions, and artist-educator Jeremy Lundquist, she began to explore the intricacies of stone lithography. Laura’s mentorship was further enriched by a studio visit with recent McKnight Fellow Grace Sippy, who provided valuable insights into Laura’s work.

Both Horacio and Laura shared the results of their recent explorations in Highpoint’s winter and summer co-op exhibitions. This year’s fellowship is just the beginning for these two artists—one that promises continued collaboration, mentorship, and growth in the years to come.

I am thrilled to have this opportunity at Highpoint and the amazing mentors that I have had the opportunity to work with, including Grace Sippy.  

I have been working on a few lithograph stones trying to create interesting tusche washes. I started with a large stone. It looks great, but is darker than I had hopped. The amazing Brian Wagner helped me with the etching process. I am now working on two smaller stones. I have etched them twice and look forward to printing them soon, although they look a bit on the dark side as well. Crossing my fingers that they turn out, if not... I'm learning.

I look forward to meeting with Jeremy Lundquist who will share his expertise on tusche washes as well!

I've been working on a new series, which is very much influenced by my feelings about climate change, AI and uncertainty. It's an ambitious project that I probably would not have undertaken but for the fellowship. I'm particularly excited about the upcoming classes on photo litho with Judith -- it will be great to learn a new technique. The fellowship has been great in terms of outreach to others in the community -- I feel very supported and have definitely been able to grow as an artist.

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