Seitu Ken Jones

Front Reflection and Side Reflection by Seitu Ken Jones

Front Reflection and Side Reflection

Seitu Ken Jones, 2025

Lithograph on Rives BFK White paper

Edition of 7

Image: 33 ½ x 25 ½ inches

Paper: 40 ½ x 32 inches

Click here for availability or Email our Gallery Director Alex Blaisdell alex@highpointprintmaking.org

Highpoint Editions is pleased to release Front Reflection and Side Reflection, two new lithographs by Minnesota-based artist Seitu Ken Jones. Inspired by the Zealy Daguerreotypes, these prints are Jones’s first with Highpoint Editions and exemplify a fierce dignity and resilience in response to a troubled history and continued adversity.


About Front Reflection and Side Reflection

Source imagery including an image of one of the Zealy Daguerreotypes and an image of the artist’s Great Grandfather.

In 1976, a set of photographs from 1850 was discovered in a Harvard University storeroom. The daguerreotypes were commissioned by Harvard Professor Louis Agassiz, who was an adherent of “scientific racism”, to prove the inferiority of Black people. The photographs were taken by Joseph T. Zealy and are now known as the Zealy Daguerreotypes. The seven subjects of the photographs were enslaved Africans who lived in South Carolina, and were posed in both clothed and nude positions.

For the last 10 years, Seitu Ken Jones has painted and created a series of self-portraits that recall the experiences of African American men over the last 400 years. Inspired by the Zealy Daguerreotypes, Seitu’s prints mirror the degrading and disturbing images captured by the photographer. “Each daguerreotype reveals an individual, deeply dignified and expressive. Their hurt, contempt, fatigue, utter refusal are unequivocal,” says Parul Sehgal of the original images.1 In each of Seitu’s self-portraits, he reveals himself in the most dignified and resilient manner of those whom he honors. Jones places himself as the subject and the documentarian, recontextualizing the images as a symbol of humanity, history, and a continued fight for freedom and liberty.

Detail of Front Reflection

Assistant Printer Brian Wagner preparing the stone for Side Reflection

Each layer of the 7-run lithograph calls attention to the process. The outer borders mimic the irregular edges of the lithographic stones the artist drew on to create the portraits. While the coloring of the background can also be viewed as referencing the sepia tones of an aged daguerreotype, each layer is an homage to the materials used in processing lithographic stones. The layers of brown were matched to both the liquid asphaltum used before inking the stone, and the color of the stone after a thin layer of gum arabic has been buffed in to preserve the image. The transparent grey layer that makes up the background echoes the cool grey of the lithographic stone. The black of the lithographic crayon drawing is also iconic to the lithographic process and legacy; furthering these prints’ place as a contemporary reflection of historical statements and processes.

Lead Printer-in-Residence Judith Baumann and Assistant Printer Brian Wagner printing one of the layers of Front Reflection.

Earlier proofs of Front Reflection and Side Reflection in the studio.

Seitu Ken Jones signing Side Reflection on May 6th, 2025


Seitu Ken Jones (b. 1951) is a Saint Paul, Minnesota based artist whose interdisciplinary practice works to restore our Beloved communities by blending art, food, conversation and beauty. Working on his own or in collaboration, Jones has created over 40 large-scale public art works. He's been awarded a Minnesota State Arts Board Fellowship, a McKnight Visual Artist Fellowship, a Bush Artist Fellowship, a Bush Leadership Fellowship, and a National Endowment for the Arts - Theater Communication Group Designer Fellowship. Seitu was awarded a Loeb Fellowship at the Harvard Graduate School of Design and was the Artist-in-Residence in the Harvard Ceramics Program. He was Millennium Artist-in-Residence for 651 Arts in Brooklyn, NY, and was the first Artist-in-Residence for the City of Minneapolis. In 2014, he integrated artwork into three key stations for the Greenline Light Rail Transit in the Twin Cities.

A 2013 Joyce Award, from Chicago's Joyce Foundation allowed Seitu to develop CREATE: the Community Meal, a dinner for 2,000 people at a table a half a mile long. The project focused on access to healthy food and community conversation. Beyond art making, Seitu worked with members of his neighborhood to create Frogtown Farm, a 5-acre farm in the heart of the City of Saint Paul. He is the recipient of the 2017 Distinguished Artist Award from the McKnight Foundation. His 2017 HeARTside Community Meal in Grand Rapids, MI was awarded the Grand Juried Prize for ArtPrize Nine. A retired faculty member of Goddard College in Port Townsend, WA. Seitu has a BS in Landscape Design and an MLS in Environmental History from the University of Minnesota.

For availability and to purchase Front Reflection and Side Reflection, email our Gallery Director Alex Blaisdell alex@highpointprintmaking.org


Highpoint Editions Heads to IFPDA Print Fair 2025

Join us from March 27 through March 30 at the Park Avenue Armory for the 2025 IFPSDA Print Fair! Highpoint Editions is delighted to present a selection of new editions by Njideka Akunyili Crosby, Julie Mehretu, Andrea Carlson, Leslie Barlow, and Seitu Ken Jones.


IFPDA Print Fair 2025

LOCATION

Park Avenue Armory 643 Park Avenue, New York, NY


VIP PREVIEW

Thursday, March 27, 5-9 pm


PUBLIC HOURS

Friday, March 28, 11 am - 7 pm

Saturday, March 29, 11 am - 7 pm

Sunday, March 30, 11 am - 5 pm


MORE INFORMATION

FineArtPrintFair.org

Images of IFPDA Fair by Annie Forrest

Real Positions: Self-Portraits by Seitu Ken Jones at Homewood Studios

From January 4th through the 29th Homewood Studios is presenting new work by Seitu Ken Jones. Jones writes of the new work: “They are actually images of me in some of the conditions and struggles African American men have been placed in America. There is an image of me as an enslaved man painted in warm colors, another is me in blue as a part of the Great Migration and the painting in red is me in the current reckoning.”

Learn more about the exhibition and read the full curatorial statement here!

Seitu Jones’s The Community Meal featured in Walker Magazine

Photo courtesy Public Art Saint Paul

With the support of Public Art Saint Paul, Jones staged Create: The Community Meal, a half-mile-long luncheon in the middle of Victoria Street in September of 2014. A host of community partners helped to grow, cook, and choreograph the meal that took 400 volunteers to realize. “The Community Meal,” said Christine Podas-Larson, president of Public Art Saint Paul, “is a beacon to the nation about how we behave as a civic body.” Three hundred tables stretching north to south, from University to Minnehaha avenues, came together to form one massive platform around which some two thousand guests gathered. The scene was surprisingly diverse across age, race, ethnicity, and class (negating my preconceptions of Minnesota), yet I was told by my companions that the project had engendered the speckled vista before me and didn’t accurately reflect the neighborhood.

The Community Meal. Photo: Andy King

Learn more about this event and the article from the Walker here!