Adebunmi Gbadebo

Adebummi Gbadebo Named as Participating Artist in 61st Venice-biennale

Adebunmi Gbadebo among the participating artists announced for “In Minor Keys,” the main exhibition at this year’s 61st Venice Biennale, curated by the team of the late curator Koyo Kouoh.

The Venice Biennale has revealed the 105 artists and collectives and six artist-led organizations participating in the main exhibition its sixty-first iteration, to take place May 9–November 22. The show was conceived by Cameroon-born curator Koyo Kouoh, who died last summer as she was putting it together. The exhibition is being realized by a team she assembled, comprising curators Gabe Beckhurst Feijoo, Marie Helene Pereira, and Rasha Salti; critic Siddartha Mitter, who is serving as the Biennale catalogue’s editor; and research assistant Rory Tsapayi.

“The sixty-first international art exhibition of La Biennale di Venezia intends neither a litany of commentary on world events, nor an inattention or escape from compounding and continuous intersecting crises,” said Tsapayi, speaking at a press conference at which the participants were revealed. “Rather, it proposes a radical reconnection with art’s natural habitat and role in society, that is the emotional, the visual, the sensory, the effective, the subjective.”

Spread across the Giardini’s Central Pavilion, the Arsenale, and other sites, “In Minor Keys” will additionally encompass outdoor installations, performances, and a procession of poets in the Giardini.

Learn more about the announcement on Artnet here and Artforum here!

Adebunmi Gbadebo Featured in Exhibition at The Ford Foundation Gallery

Credit: Sebastian Bach

Highpoint Editions Artist Adebunmi Gbadebo is featured in an exhibition titled Body Vessel Clay: Black Women, Ceramics & Contemporary Art at The Ford Foundation Gallery in New York!

The exhibition unites “three generations of groundbreaking Black women artists whose work with clay explores the medium’s multilayered cultural and political significance.” Featuring a selection of more than fifty works across a large variety of mediums including ceramics, film, photography, and archives, “the exhibition draws connections between the legacy of renowned Nigerian potter Ladi Dosei Kwali (1925-1984) and contemporary artistic practice. Through these lines of influence and innovation, the show traces how Black women artists have transformed the field of ceramics over the past seventy years—disrupting conventions, challenging hierarchies, and expanding the possibilities of clay as a medium.

On view September 10th through December 6th, 2025.

Learn more about the exhibition here!

Nicola Vassell Presents Solo Exhibition of Adebunmi Gbadebo

Adebunmi Gbadebo | Mary Weeks Bryant | 2025 | soil from True Blue Plantation (Fort Motte, South Carolina), Carolina Gold rice, pit-fired | 12 x 18 x 12 in

Highpoint Editions artist Adebunmi Gbadebo presents a new body of work in a solo exhibition titled Watch Out for the Ghosts at the Nicola Vassel Gallery in New York. “The title—a quote from Amiri Baraka’s poem The Why's and the Wise—echoes Gbadebo’s journey through loss, family history and reconnecting with the land they once inhabited. In bringing together works made in ceramic and paper along with a short film, this exhibition signals the evolution of the artist's conceptual practice and the deepening of her research into material and process.” - Nicola Vassel Gallery

Adebunmi Gbadebo | Witness | 2025 | soil from True Blue Plantation (Fort Motte, South Carolina) human hair, cherry tree branches, shoe polish and Tung oil | trunk dimensions: 53 ½ x 13 in | overall dimensions: height 79 ½ in

“Upon learning of her ancestors' enslavement on True Blue plantation in Fort Motte, South Carolina, Gbadebo made the site a focal point of her work. For the past three years, she has hand dug soil from the cemetery that she then transforms into clay for her ceramic vessels. The works' unique sizes and anthropomorphic shapes instinctively develop as she hand builds each of them using a Nigerian and Cameroonian coiling technique. Beyond the soil which they are made of, Gbadebo’s vessels carry—inside them or on their surfaces—invocations of True Blue’s landscape, sometimes being filled with pine needles, Carolina gold rice or woven segments of donated hair, all while acting as bodies occupying space.”

The exhibition is on view from September 4th to October 18th, 2025.

Learn more about the exhibition here!