Swiszcz’s work captures crumbling parking lots, newsstands, destitute strip-malls and other “neighborhood eyesores” with a fresh and witty approach to detail.
Julie Mehretu's Baroque look back, db artmag
Julie Mehretu, The New York Times: This Year's 'Genius Awards' Reach Into Unusual Fields
Breathing Spaces
Fantastic Print Show
Entropia: Construction
Three drawings created for Entropia (review) are merged with a fourth new drawing by Julie Mehretu to create Entropia: Construction. Printed lithographically on four sheets of Gampi paper. Each sheet is layered and attached with wheat starch on to a Somerset backing sheet, a process known as chine collé.
Entropia (review)
Highpoint Editions’ inaugural publication is a print by Julie Mehretu, co-published with the Walker Art Center through a program supported by the Surdna Foundation. The edition commemorates her yearlong artist residency at the Walker, which culminated in 2003 in an exhibition and catalogue featuring nine newly commissioned, large scale paintings.
ALLSOMENONE Suite
Three Questions
Gestures
Julie Mehretu, the NY Times: ART/ARCHITECTURE; Mapping a New, and Urgent, History of the World
Read an article on Highpoint Editions Artist Julie Mehretu from the NY Times, by Franklin Sirmans
Read the article here…
Five New Etchings 2002
Paths & Traces
The Paths and Traces suite of intaglio prints display Goldes’s fascination with the paths taken by channels of water. Closely related to his photographic work, these pieces recall the same sense of mystery and beauty that first influenced the artist to study science. This suite was created in 2000 with Master Printer Cole Rogers, before Highpoint’s official opening.