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Sampler Session: Cyanotype
Jul
30
6:00 PM18:00

Sampler Session: Cyanotype

  • Highpoint Center for Printmaking (map)
  • Google Calendar ICS

Create and take home 6 cyanotype prints! In this workshop, you’ll prepare your paper with cyanotype chemicals and then add dried florals, fabrics, and other found materials to create a silhouette design. You’ll place your design in sunlight (or our exposure unit) to expose the paper and develop the image in water. The result is beautiful, vibrant blue prints. 

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Sampler Session: Tessellation Printmaking
Jul
16
6:00 PM18:00

Sampler Session: Tessellation Printmaking

  • Highpoint Center for Printmaking (map)
  • Google Calendar ICS

Create and take home your own tessellating design! In this workshop, you’ll design a repeating pattern that fits together seamlessly, then use a carving tool to transfer and carve it into a soft, easy-to-cut block. Prints are created by adding ink to the block and pressing it onto paper—similar to a stamp. Because your design tessellates, you can repeat it across the page to build intricate patterns. Reuse your block again and again to create interlocking compositions!

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Sampler Session: Pronto Plate Lithography
Jul
9
6:00 PM18:00

Sampler Session: Pronto Plate Lithography

  • Highpoint Center for Printmaking (map)
  • Google Calendar ICS

Create and take home 6 pronto plate litho prints! In this workshop, you will draw on a polyester plate using waterproof drawing materials. You’ll use water to dampen your plate, add ink, and send it through the printing press to transfer your image. The result is a rich, detailed black and white print. 

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Sampler Session: Contact Paper Screenprint
Jun
25
6:00 PM18:00

Sampler Session: Contact Paper Screenprint

  • Highpoint Center for Printmaking (map)
  • Google Calendar ICS

Create and take home an edition of 6 bold, graphic screen prints! In this workshop, you’ll cut designs into contact paper and adhere it to a screen to create a stencil. Prints are created by pushing ink through the screen using a squeegee. By using the stencil again and again, you’ll end up with 6 identical prints! 

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Sampler Session: Screenprinted Zines
Jun
18
6:00 PM18:00

Sampler Session: Screenprinted Zines

  • Highpoint Center for Printmaking (map)
  • Google Calendar ICS

Create and take home an edition of 6 screen printed zines! In this workshop, you’ll learn how to create stencils for screen printing using paint markers and a photosensitive material called emulsion. Prints are created by pushing ink through the screen with a squeegee, and by reusing your stencil, you’ll produce a set of 6 identical prints. You’ll also explore the basics of zine making, assembling your prints into small, self-published booklets to share or keep.

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Sampler Session: Pressure Printmaking
May
21
6:00 PM18:00

Sampler Session: Pressure Printmaking

  • Highpoint Center for Printmaking (map)
  • Google Calendar ICS

Create and take home 6 pressure prints! In this workshop, you will arrange paper stencils, fabric, and other materials on a backing sheet to create a collage. You’ll place the paper on an inked piece of plexiglass and run it through the printing press to transfer the image. The result is a soft, textured print. 

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Sampler Session: Reduction Relief
May
14
6:00 PM18:00

Sampler Session: Reduction Relief

  • Highpoint Center for Printmaking (map)
  • Google Calendar ICS

Create and take home an edition of 6 multi-layered reduction relief prints! In this workshop, you’ll carve a design in stages into a soft, easy-to-cut block. After each carving step, you’ll apply ink and print onto paper, building layers of color and detail one at a time. With each stage, more of the block is carved away. By the end, you’ll have 6 identical layered prints!

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Sampler Session: Chine Collé
Apr
30
6:00 PM18:00

Sampler Session: Chine Collé

  • Highpoint Center for Printmaking (map)
  • Google Calendar ICS

Create and take home 6 chine collé prints! In this workshop, you will combine printmaking with collage by adhering thin decorative papers onto a thicker backing sheet during the printing process. You’ll apply adhesive to your delicate paper, place it onto your printing surface, ink your plate, and run everything through the press to bond the layers together. The result is a richly textured print with subtle color and intricate detail.

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Sampler Session: Water-soluble Monotype
Feb
19
6:00 PM18:00

Sampler Session: Water-soluble Monotype

  • Highpoint Center for Printmaking (map)
  • Google Calendar ICS

Water soluble monotypes are a form of printmaking that uses water-soluble crayons and watercolor paints. Participants use these materials to paint and draw on a plexiglass plate. The paints are allowed to dry and are then printed on an etching press using damp paper. Wet paper reactivates the water-soluble materials and results in a vibrant impression. This form of monotype is the form of printing we offer that is closest to drawing and painting.

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Sampler Session: Relief Printmaking
Feb
5
6:00 PM18:00

Sampler Session: Relief Printmaking

  • Highpoint Center for Printmaking (map)
  • Google Calendar ICS

In this workshop, participants will carve away the areas they want to remain white on a soft, easy-to-cut block. The image will be printed from the raised surfaces left on the block after carving. Relief printing is the oldest form of printmaking, and these prints are characterized by their bold contrast between light and dark areas.

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Sampler Session: Linoleum Relief
May
15
6:00 PM18:00

Sampler Session: Linoleum Relief

  • Highpoint Center for Printmaking (map)
  • Google Calendar ICS

In this workshop, participants will carve away the areas they want to remain white on a linoleum block. The image will be printed from the raised surfaces left on the block after carving. Relief printing is the oldest form of printmaking, and these prints are characterized by their bold contrast between light and dark areas.

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Sampler Session: Drypoint
May
8
6:00 PM18:00

Sampler Session: Drypoint

Drypoint is a form of intaglio printmaking. In this workshop, participants will scratch a drawing onto an acrylic plate with a sharp needle. Burrs that result from the scratching trap and hold the ink after the plate is wiped clean. This creates a soft, heavy line that is unique to this type of intaglio. 

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